About Us

Fern + Roe is a natural micro-tannery

We are based on southern Vancouver Island, British Columbia, on WSANEC Coast Salish territories. In-person courses are taught by Mara Cur.

The Fern + Roe studio is located on the Saanich Peninsula. This is where our in-person courses and 1:1 mentorships happen, from March to October seasonally. We also travel to teach private hide camps in communities on the west coast and Lower Mainland of BC.

All our hides are averted from landfills and from chem-tanning factories.  They are painstakingly processed and preserved during hunting season down south in Montana, to bring back home for the tanning and teaching season. Our ethos is grounded in salvaging and the transformation of waste products.

Our Commitments

  • smoking a hide

    Transformative Experiences

    Hide tanning is life-changing. Our experiences are crafted to connect you to your body and a deeper way of knowing and belonging in the natural world. Whether you are here for the art of textiles or connecting to your roots, we aim to be co-creators on your learning journey.

    We teach skills that have been both hard-earned and gratefully received, and we pass these to you in the same manner. Expect work and immense reward.

  • Financial Accessibility

    Everyone deserves access to nature and hands-on skills. We offer our capstone course, the annual online Hide Club, on a sliding scale. We have a wide variety of price points from $18 Zoom classes to free community hide camps annually in BC. Depending on your level of immersion, you’ll find a matching education offering.

    What's a sliding scale?

    Hide Club has 3 price options. You choose the one that most reflects your financial needs at the moment. We offer a guide to help you decide.

  • Cultural Integrity

    While hide tanning and textiles are intrinsic to every human culture, they carry specific sanctity and aesthetics within specific cultures. We as teachers use techniques from our own ancestries and lineages, and share these with permission and in protocol. We hold proprietary knowledge when needed and practice consensual and empowering sharing of knowledge between cultures. We encourage everyone to use these skills as a vessel to step into integrity in your own roots and connect to your ancestry. We respect the Indigenous territories upon which we live and craft together.

  • Mutual Aid

    We aim to support and amplify the resurgence of traditional skills and life ways in Indigenous communities, of which hide tanning is an important part. Hide Club and all online instruction have sponsored spots for Indigenous learners to waive tuition. Our sliding scale model makes this possible, and in this way, everyone who participates in a Fern + Roe offering contributes to mutual aid and community care.

    Fern + Roe supports the building of the Boa Ogoi Interpretive Centre, a project of the Lower Shoshone Nation whose territory is where deer hides are collected each year. This centre is an education facility to bring to light the Boa Ogoi massacre of 1863 and a restoration site to heal the land. We also support community projects through monthly donations of our sales proceeds. If you have a project seeking mutual aid, we’d love for you to contact us.

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Who We Are


 
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Mara Cur

Instructor and Admin

Welcome and thank you for being here. I am Mara; as you peruse this site, most of what you see will be taught by me. Mentors and guest instructors are part of the annual 5-month Hide Tanning Immersion program and stop in occasionally to teach courses. Many of these folks have their own practices outside of Fern + Roe, so please take a look below, get to know them, and support their work!

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Mentors

 

ADELE ARSENEAU

Adele maskwasowiskwew Arseneau (Caron)

A disabled Nehiyaw/Metis visual artist, Adele was born in BC, far from her family’s traditional territories, the significance of the place and culture in which she was raised, an integral part of her story. Adopted Luk sil loo Clan, Dakelh, her artistic intent is to counteract stereotypes, call  out cultural appropriation and educate from an Indigenous perspective. Previously a painter, she now uses the mediums of beadwork, hidetanning, woodcarving, and digital art to reclaim her displaced heritage and language.

Adele comes from a tradition of hidetanning in her family however those lines of traditional knowledge were broken before she was able to learn those skills. Determined to become a "full-circle" beader, she completed a hide tanning residency in 2019 with Crowsnest Wildcraft, and helped mentor the 2021 Hide Tanning Immersion cohort. Dedicated to reconnecting and mentoring those within her cultures, she looks forward to where her artistic journey is going to take her and the community she gets to be a part of along the way. 

Adele’s portfolio can be viewed at: https://aarseneau.com or on Instagram at: @metiscaron



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Bonnie Klohn

Bonnie Klohn is a 5th generation settler in Secwepemcul’ecw, with ancestral ties to the salmon-bearing Tweed River in Scotland. She recently completed a MA at Concordia University around salmon, Indigenous food systems, settler allyship and socially engaged art.

She is interested in hide tanning and ancestral skills as a part of a relational practice between humans and other animals. Bonnie is part of the collaborative leadership team at the Kamloops Food Policy Council and is part of a budding workers co-operative focused on food systems called Tapestry.


Guest Instructors

 
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Amber Sandy

Instructor for Hide Tanning Immersion

Amber Sandy is Anishinaabe and a member of Neyaashiinigmiing, Chippewas of Nawash First Nation. She is an artist with a focus on leather work, beadwork, tufting and furs. Amber is a hide tanner and uses moose, deer and fish skins to make leather by hand. As the coordinator of Indigenous Knowledge and Science Outreach for SciXchange at Ryerson University, she is an enthusiastic advocate of land based education! Her work focuses on integrating Indigenous and western science in her approach to conservation, environmental science and education. It is her passion to strive for increased access to traditional land based practices, art and otherwise, for Indigenous people.


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Carman MacKay

Guest instructor, Drum making instructor, and instructor for Hide Tanning Immersion

Carman is a self-determined artist, educator, and cultural resource for communities and school districts throughout Metro Vancouver and the Fraser Valley. Belonging to the Matsqui and Musqueam First Nations, Carman has lived in many other communities across North America as he embarked on his healing journey. It was through this process that Carman started to walk down a path of self-discovery as he sat down, took time, and learned from Elders, which deepened an intimate connection with the Earth, his mother. As a result, Carman has spent years of time focused on the interconnection of life in. the physical and spiritual worlds.

Carman is deeply passionate when he is able to share Indigenous life skills, understandings, and perspectives to the abundance of learners who have arrived in the Coast Salish Territory. As a teacher, Carman honours the responsibility in sharing both traditional and contemporary cultural practices. Carman happily instructs and shares lessons on drum making, visual and functional arts, woodwork, and Indigenous cultural education.


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Janey Chang

Guest instructor

Janey Chang is an Artist, Maker, Outdoor Experiential Educator and Guide, Community Facilitator and Mother on a path to remembering how to be human through the (re)learning of ancestral skills. She is a first generation Chinese Canadian woman living on beautiful Skwxwú7mesh and Tsleil-Waututh Territory at the foot of the mountains and close to the ocean.

Janey interweaves personal stories and encourages self-reflection in her experiential classes. Currently, she teaches earth and ancestral skills at a weekly outdoor program to 4-7 year old Squamish Nation children as well as in classrooms across the Lower Mainland. She can be found at janeychang.ca.


June Pardue

Guest instructor, and instructor for Hide Tanning Immersion

Elder June Pardue has been creating Alutiiq and Inupiaq art since she was a teenager, and she now has nine grandchildren and four great-grands. June offers classes in rural Alaska, where teaches Alutiiq basket making, beading, skin sewing, and regalia making.She also has early autumn classes to teach how to harvest stinging nettles and fireweed for cordage making. She also teaches online at her famous fish skin tanning Zoom classes


Shauna Mikomi

Instructor for Hide Tanning Immersion

Shauna Mikomi is a hide tanner, wild foods forager, and student. She began her skills journey travelling across the continent to learn place-based skills from peers and mentors. She is an alumnus of the Living Wild program in the Methow Valley, WA, USA and has been deepening her relationship to place ever since. Shauna specializes in Buffalo hide tanning and lives close by a beloved herd at the Rocky Mountain Buffalo Ranch, in Golden, BC on Ktunaxa and Secwepemc territories

Apprentices

 
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Daystar Belcourt

Apprentice

tansi. hello. i come from treaty 6 territory. beaver mountain house ( edmonton ab) . my great capan on my moms side was chief ermineskin of maskwacis ( hobbema). on my dad’s side, we are metis of wakamne, lake of the spirit (alberta beach, ab). my ancestors were fur traders, hide tanners, trappers, beaders, artists, and medicine people. moved to lekwungen territory ( victoria bc) in 2013. in search of healing by these great waters. the ancestors of these lands and waters have been really caring and loving. allowing me to be in their territory. forever grateful for being a welcomed guest in these otherworldly spaces. i am a daughter, sister, auntie, great auntie, and friend to our human kin. as well as plant and animal relations.


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Sydney Pickering

Apprentice

A member of Lil’wat Nation and of European descent, Sydney Frances Pickering is a multi-disciplinary artist currently living on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh nations. She is an undergraduate student primarily working with sculpture, video, and installation in her fourth and final year of a BFA at Emily Carr University of Art & Design. Her work over the past few years is grounded by her continued connection to ancestral land and practices.